Are you ready!!!! Riot Fest 2021!!!!

After our Glasto-like festival fallow year of 2020 I thought I’d look ahead to 2021.  And one of our go-to festivals has already announced the beginnings of their lineup.  Riot Fest 2021 is encouraging.  The first wave was just announced, and it satisfies and leaves excitement for the second and final wave releases.

The headliners are absolutely perfect.  They are solid enough to foreshadow some great bands for the second and final wave releases.  But they set me up to be able to leave early and avoid the clusterfuck of Uber lines and get to an aftershow or Lou Malnatis.  Two I’ve already seen enough times and don’t need to see them again, and two are interesting but not gonna keep me late.  But that’s okay.  I’ve heard it said before the strength of a festival is on the third line of the poster.  I have to admit that Run The Jewels might be the one I’m most interested in seeing. Before you doubt me, remember that Rage tapped them to open their reunion tour. In Zach and Tom I trust…

Below that first line it gets better.  There’s the token mix of emo/pop punk that Riot Fest will always have and that’s great.  The bands that learned the guitar to Dookie or Enema of the State.  Taking Back Sunday, The All-American Rejects, New Found Glory, Simple Plan, Mayday Parade.  They all are sure to be fun live, though I may not be able to tell them apart.

There’s the stoner ska punk rock of Sublime and Dirty Heads.  All we need is 311 and Pepper to be added for the second and final waves to complete the Chuckie quinella.

There are a couple acts sure to be a favorite of KJ’s.  K.Flay, Meg Myers, Best Coast, and Beach Bunny.  Especially Meg Myers.

There’s some legacy acts.  Legacy is a nice way of saying we’re old.  Acts that were popular in our youth.  Circle Jerks reunion is a big deal and seeing them is almost a necessity.  Old school punk from my high school days.  Living Colour.  I just want to hear Cult of Personality again.  Vernon Reid on guitar and Corey Glover in his Body Glove wetsuit (from the video…I hope he’s not wearing it still).  L7 were another of the sounds of the 90s.  They kinda follow Bikini Kill in the Riot Grrrl vein, though I think they’re more grunge than punk.  I saw them with Rancid a year or so ago and they still bring it.  And Toots and The Maytals.  Toots is probably 80 years old, so we won’t have this opportunity long.  They had songs covered by The Clash and The Specials, two of my all time favorites.  Need to see Toots just to kiss the ring and offer respect.  And Hepcat and Fishbone.  Fun sound.  One cool and calm and one cool and frenetic.  And there’s a place for both. I didn’t enjoy Fishbone at 2017 Riot Fest, but I’ve seen them since they reunited the original six and they’re so much more fun.  And Jawbox harkens back to the hardcore punk scene of DC in the 80s.

And then there’s the “odd”, not that there’s anything wrong with that.  Riot Fest does “odd” very well. And Gogol Bordello is odd. At one of our Lollas.  They have the Russian lead singer, accordion player, and almost seem like a Cirque De Soleil meets punk act.  Would be super cool as an aftershow or up close.  We were way far away at the bandshell at Lolla and it didn’t do them justice.  Another “odd” one is Coheed and Cambria.  I’ve never listened to them but recognize their name showing up on many festival lineups.  Reading about them and listening to them takes me to Rush’s 2112.  The sound isn’t Rush, though the singer does have a little Geddy Lee in his voice.  But they’re kinda prog rockish.  Their songs are based on a science fiction comic book that the lead singer writes.  I can’t explain it.  You just need to hear it.  Wouldn’t be surprised if they have a great show.

And there’s some newer punk.  KJ and I saw SWMRS open for our friends FIDLAR at the Metro.  I thought they were better than FIDLAR, and FIDLAR was great.  Billie Joe’s son plays drums.  PUP are Canadian Punks (oxymoron?) with a great sound. They are on the rise and should be seen. 7/23/20 UPDATE. SWMRS is cancelled maybe for good. And for good reason. Google “SWMRS” and “Joey Armstrong” and “Regrettes”. Basically, SWMRS made a big deal about being all inclusive and supporting women and then a story gets published where Joey (at best) sexually harassed the underage singer of the Regrettes. They’re done. And deservingly.

And there are more…and there will be more for the second and final wave announcements, which will lead to revisit my wish list post and an update. Speaking of soon, is it too soon to talk about September 2021. Maybe not. I need to get out of the house. The QuarantineFest was only good for four or five plays through….

Riot Fest 2019…Musings, Observations, and Lessons Learned

Freaking exhausting.  That’s my first reaction to Riot Fest 2019.  But that’s not a bad thing.  It’s actually a complement.  Pretty much non stop pounding driving punk-like music from the drop on Friday to late Sunday.  It wasn’t my best festival experience, but it was a pretty damn good way to spend a weekend.  But it was exhausting.  Maybe time for a Glasto-like fallow year.

Crowded.  It was.  My best times were getting there early to enjoy some smaller bands with just a few folks.  Drakulas, you’re welcome.  The most exhausting times were those after dusk sets trying to navigate around the throngs of folks to find my way to the next stage.  While pondering did Riot Fest oversell this venue a bit?  I’d pay 50% more to have 50% less people.  Of course I’d like to pick which 50%.  But the people of Riot Fest…the best festival goers.  Maybe it’s the lack of the bros or fashionistas from Coachella, but everyone was in a great mood.  Though Riot Fest grass isn’t Coachella grass, as a wise man once told me.

And the musical highlights.  I will forever be stoked to see Rancid’s “Journey to the End of East Bay” and Pennywise’s “Bro Hymn”.  And this time was not any different.  Calling out a few “Oi, Oi, Oi’s” with my similar coiffed brethren Cock Sparrer.  Being on the rail seeing Bob Mould lay into “Flip Your Wig” to open his set is a bucket list moment for a kid that grew up on Husker Du.  And though from a little distance, how cool is Patti Smith, especially doing a Midnight Oil cover?  And Drakulas, you’re welcome.  Well done.  And Frank Iero and The Beaches and The HU?  Dandy.  And seeing the side project of Anthrax’s Scott Ian and Fall Out Boy’s Joe Trohman up close on the small stage…quite a show of guitar mastery.  And OMG for Manchester Orchestra.  I love that sound and the way they do the quiet LOUD quiet thing (shout out Pixies) so well.  What a great place to be seeing them up close.  And because I never saw Queen, the Struts made me feel what it may have been like to see Freddy M and friends; in a Rancid-makes-me-feel-like-the-Clash way.  And, as I type this I know this is a redundant statement but, Jack White and the Raconteurs are pure awesome Rock and Roll.  What amazing musicianship.  Plus they had a nice shout out to Patti Smith with the snippet of Gloria, btw.  Without question we always end up at a killer aftershow, and Violent Femmes at the Concorde was no exception.   A perfect place to see them.  Too bad for anyone that had tickets that didn’t make it.  Hope you had a soft bed to sleep on instead. 

The let downs?  Not a lot, but a few.  The aforementioned crowds and the navigation at night.  While not high on my list of must sees (but you still have to see them, right?), Blink’s sound was atrocious, with a capital WTF.  Another sound Debbie Downer was the sound bleed between the stages.  Because of the proximity of the stages it was noticeable…did anyone at Bloc Party really hear anything other than Slayer?  Did Hot Snakes really need to Spinal Tap it and turn it up to 11?  I was fully supportive of that call as an aftershow (I even listed them as a hopeful aftershow), but knowing we could’ve seen Descendents or Cock Sparrer instead made it worse.  Of course if it was more than a 2.5 mile walk to a different aftershow we still might be missing someone.  Speaking of Descendents, them conflicting against Rancid doesn’t meet any logic I know of.  While there weren’t many conflicts, this one was unforgivable.  And it will always be a Riot Fest issue, but the exit and getting a ride afterwards is brutal.  Makes me want to disregard the headliners and get outta Dodge early each night.  Especially if the daily openers (Pkewx2 and Masked Intruder) are so good. Where are Don and Sue when you needed them most?

Drakulas, you’re welcome.

Each day was different.  Good Friday was the Surf City Blitz resurrection with a lot of time at the Radicals Stage.  Wouldn’t trade it for any day.  While Saturday had a metal feel (with Anthrax and Slayer) I spent a lot of time at the Rise Stage with Cherry Glazerr, Surfer Blood, The Struts, and Manchester Orchestra.  And Sunday, well let’s just say Village People and B-52s give it a particular feel, was different.  But posting up at the Roots Stage to see Bob Mould, Patti Smith, Raconteurs, and Bikini Kill was about awesome.

So a pretty good weekend.  Saw some old faves…Rancid, Pennywise, Violent Femmes….checked off some bands I’ve wanted to see (including a bucket lister)…Cock Sparrer, Bob Mould, Manchester Orchestra…saw a hall of famer and a future hall of famer…Patti Smith and Jack White…saw some amazing guitarwork with Jack White, Scott Ian, Fletcher Dragge…saw Butter Stamos…and discovered some super cool new music and have a few new favorites….Angel Du$t, Frank Iero, The Beaches.  And of course…

Drakulas, you’re welcome.

Riot Fest 2019 Countdown – The Finale

One freaking week away. One long week until what looks like a great weekend. We’ve done a lot of previews. Some better than others. There’s a lot of music out there. Efforting to make previewing a little less cumbersome, here’s links to previously posted previews. All in one spot. Look through them. Click away. Also, at the bottom is a link to a youtube library with all of the videos (or most….there’s 129) in one place if you want to put it on shuffle and repeat. See you next week.

Friday

Pkew Pkew Pkew 11:55 AM
The Garden 12:30 PM
Anti-Flag 1:30 PM
Hot Water Music 2:20 PM
I DON’T KNOW HOW BUT THEY FOUND ME 2:30 PM
Senses Fail 3:10 PM
Hot Snakes 3:20 PM and Saturday at the Cobra
Angel Du$t 4:00 PM
The Get Up Kids 4:15 PM
Neck Deep 4:25 PM
Cock Sparrer 4:40 PM
Violent Femmes 5:30 PM and Friday at the Concorde
Pennywise 6:10 PM
H2O 6:20 PM
Dashboard Confessional 6:35 PM
Descendents 7:15 PM
Glassjaw 7:30 PM
Rancid 7:40 PM
Jawbreaker 8:45 PM
Blink 182 8:45 PM

Saturday

Masked Intruder 12:15 PM
The HU 1:05 PM
Cherry Glazerr 1:45 PM
Drakulas 2:00 PM
Surfer Blood 2:45 PM
The Selecter 3:25 PM
Turnover 4:45 PM
The Struts 6:00 PM
Senses Fail 6:15 PM
Manchester Orchestra 7:15 PM
Rise Against 7:25 PM
Bloc Party 8:45 PM

Sunday

Save Ferris 12:45 PM
Skating Polly 1:00 PM
White Reaper 1:40 PM
Frank Iero 1:45 PM
The Beaches 2:25 PM
Less Than Jake 3:00 PM
Ride 3:10 PM
Streetlight Manifesto 4:15 PM
Dave Hause 4:50 PM
Bob Mould 5:15 PM
Teenage Bottlerocket 6:00 PM and Sunday at the Cobra
Patti Smith 6:20 PM
The Starting Line 6:45 PM
The Raconteurs 7:25 PM
The Ergs 7:30 PM
Taking Back Sunday 8:15 PM
Bikini Kill 8:30 PM

Riot Fest 2019 YouTube playlist

Riot Fest 2019 Countdown 1 – Drakulas

Something happened on the way to the preview of Rise Against.  I ran across Drakulas.  They’re an Austin punk band.  And their guitarist does double duty in Rise Against (and has a GWAR connection).  There isn’t much out there on them (read there is no wiki page).  But this Austin Chronicle article explains it well.  They’re on the treed “Karen Black” side stage, which is a super cool place to see a new band (Regrettes, Streetlight Manifesto, Voluptuous Horror of Karen Black) at 2pm on Saturday.  Might need to cut out of Cherry Glazerr, but they look worth it. Saturday is so bottom heavy with awesome music.

Riot Fest 2019 Countdown 1 – Rise Against

I wasn’t planning on a preview of Rise Against.  I’m not a big fan, but not for any good reason.  They certainly check off the boxes of a band that what fit into a favorite category.  So I wasn’t thinking about looking into them.  But we don’t often get to see a band that someone we know well dated their drummer’s sister.  In some cultures that puts you in the band; or at least a roadie.  Another issue is they conflict with Manchester Orchestra.  But there would be time and proximity to catch the last half of their set.  First, they’re Chicagoans, for the most part.  So that could be super cool (not that it did anything for that legendary for the wrong reason Jane’s aftershow).  They play loud and they’re politically charged.  Guitar+Bass+Drums=perfect formula.  After doing some listening, sure.  They are worthy.